porttelevision.blogg.se - Adobe audition podcast workflow

ADOBE AUDITION PODCAST WORKFLOW PRO
ADOBE AUDITION PODCAST WORKFLOW SOFTWARE
ADOBE AUDITION PODCAST WORKFLOW PROFESSIONAL

ADOBE AUDITION PODCAST WORKFLOW PRO

Since I'm now getting into video production with my Canon T4i DSLR, I'm using Adobe Premiere Pro and even After Effects more often. Since Audition processes live instead of changing my raw audio, my project folders average 1/3 their size of when I use Audacity. Since Audition applies most effects as a nondestructive feature to tracks or clips, it doesn't have to process the audio until I play (live processing) or export. But adding any kind of processing in Audacity would require embedding the raw audio at an even larger size than uncompressed WAV. Unless I run a destructive effect or process my audio inside of Audition, it simply links to my external WAV files. So I've dropped several steps from my conversion workflow. Since Adobe Audition uses the Fraunhofer MP3 encoder (same as iTunes), I can make my MP3s directly from Audition.Īudition also quickly converts my source WAV files to mono and saves them for me. Since I work in mono audio, I would always add a step before all of these to convert my WAVs into a mono WAV, since iTunes would do that faster than Audacity. Delete the leftover MP3 still in the iTunes library.

Delete the leftover WAVs in iTunes and your source directory.

Setup iTunes to make mono 64 kbps CBR MP3s or 128 kbps stereo CBR (one-time step).

You know that since episode 10, I have recommended making MP3s with iTunes instead of Audacity (Audacity uses LAME which is great for VBR music MP3s, but terrible for CBR podcast episodes).

Move these around anytime you want to change the crossfade.

Move the two clips onto the same track and overlap them the length of the desired crossfade.

Edit the audio or import the separate clips.

In Audition's multitrack mode, this is much easier. (Crossfades in Audacity produce a better volume curve than a normal fade.

Select the overlap's length of the beginning of the second clip.

Select the overlap's length of the end of the first clip.

Overlap the clips by the amount of crossfade you want to occur.

Edit the audio, or import the separate clips.

It's also a lot more subtle when I mark something to edit in a conversation with cohosts. This makes spot editing much easier! I don't have to write down timestamps and edit backwards. I just press the REC while recording to place it. The Zoom H4n external recorder has a fantastic feature that will place a marker in my audio. There's a particularly nasty bug that forces me to manually switch my export bit depth to 16-bit lest Audition ignore the rest of my encoding settings. Some of the multitrack workflow does get annoying, like exporting. I can add effects to tracks or sections without changing my actual audio (called destructive editing), so I can also make changes much later. I have been overall pleased with Audition's multitrack editing.

ADOBE AUDITION PODCAST WORKFLOW PROFESSIONAL

So why not try this professional audio-editing software? 2.

ADOBE AUDITION PODCAST WORKFLOW SOFTWARE

Included in Adobe Creative Cloudīecause of my professional web design services, I'm subscribed to Adobe Creative Cloud, which gives me access to every Adobe creative app: Photoshop, Premiere Pro, InDesign, Illustrator, Lightroom, After Effects, and more.Īudition is also included with Creative Cloud, so it's software that I already own and doesn't cost any extra to use. Are there really benefits to Audition that are worth the big price tag? I share why Audition may be best for my podcasting workflow, but why you probably shouldn't switch. Audacity is free and Adobe Audition is $349.